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“I had total confidence and trust that they were brilliant musicians and would come up with something amazing, which they did,” Harris said of his Blackout band members after their AI-enriched performance at Harlem’s Victoria Theater on Feb. 18.

(Photo: Shahar Azran/The Apollo)

Stefon Harris Dives Into the Future

Seated on steeply inclined risers and packed in like sardines, a community of concertgoers gazes down expectantly, if less than comfortably, on a floor-level stage.

Its wide…



Happy Trails with Hilary Gardner


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Miguel Zenón

Música de Las Américas
(Miel)


Jon Irabagon
Rising Sun
(Irabagast)


Brian Charette
Jackpot
(Cellar Live)


Harish Raghavan
In Tense
(Whirlwind)


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Koppel Blade Koppel

Time Again
(Cowbell Music)


PRISM Quartet
Heritage/Evolution, Volume 3
(XAS)



Matt Wilson’s Good Trouble
Good Trouble
(Palmetto)


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Albert Ayler

Albert Ayler: The Truth Is Marching In

In a restaurant-bar in Greenwich Village, tenor saxophonist Albert Ayler was ruminating on the disparity between renown and income. In his case, anyway. Covers of his albums are prominent in the windows of more and more jazz record stores; references to him are increasingly frequent in jazz magazines, here and abroad; a growing number of players are trying to sound like him.

“I’m a new star, according to a magazine in England,” Ayler said, “and I don’t even have fare to England. Record royalties? I never see any. Oh, maybe I’ll get $50…


Growing Up Monk




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JUNE 2024
Kenny Garrett & Svoy
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