https://www.instagram.com/p/B--agB2BRmA/?igshid=v2ekejzig5m2
By @semiotik_design
https://www.instagram.com/p/B–agB2BRmA/?igshid=v2ekejzig5m2
https://www.instagram.com/p/B-7NCMIBdSY/?igshid=d20greneea4p
By @semiotik_design
https://www.instagram.com/p/B-7NCMIBdSY/?igshid=d20greneea4p
https://www.instagram.com/p/B97CF5VhqA0/?igshid=1jl9epy0c6994
By @studioreko,
BOXEN, Visual Identity, 2018—
@arkdesc is Sweden’s National Centre for Architecture and Design.
BOXEN, ArkDes’ new platform for fast-changing, experimental exhibitions, provides space for alternative voices to inspire discussions about architecture, design, and their relationship to society. In 2018 ArkDes invited us to create the graphic identity for their new platform.
The identity is based on the architectural elements of the building itself. Its experimental toolbox allows each exhibition to have its own expression while still relating to what has been shown in the space before. Since the opening in the spring of 2018 Boxen has hosted seven exhibitions where the identity has been in use (at Stockholm, Sweden)
https://www.instagram.com/p/B97CF5VhqA0/?igshid=1jl9epy0c6994
https://www.instagram.com/p/B94hxixBrWY/?igshid=tom88mxdzcyw
By @studioreko,
BOXEN, Visual Identity, 2018—
@arkdesc is Sweden’s National Centre for Architecture and Design.
BOXEN, ArkDes’ new platform for fast-changing, experimental exhibitions, provides space for alternative voices to inspire discussions about architecture, design, and their relationship to society. In 2018 ArkDes invited us to create the graphic identity for their new platform.
The identity is based on the architectural elements of the building itself. Its experimental toolbox allows each exhibition to have its own expression while still relating to what has been shown in the space before. Since the opening in the spring of 2018 Boxen has hosted seven exhibitions where the identity has been in use (at Stockholm, Sweden)
https://www.instagram.com/p/B94hxixBrWY/?igshid=tom88mxdzcyw
https://www.instagram.com/p/B9fA807BgAy/?igshid=14viievsb7vhw
By Steven Frykholm, Herman Miller Picnic Poster, 1973
https://www.instagram.com/p/B9fA807BgAy/?igshid=14viievsb7vhw
https://www.instagram.com/p/B9SDZ7EBXj8/?igshid=1m9l2nw5hzx91
By Steven Frykholm, Herman Miller Picnic Poster, 1975
https://www.instagram.com/p/B9SDZ7EBXj8/?igshid=1m9l2nw5hzx91
https://www.instagram.com/p/B9AUYYOB5YP/?igshid=1q8nzx5q0cwr8
By Armin Hofmann, Giselle, Basler Freilichtspiele,1959
https://www.instagram.com/p/B9AUYYOB5YP/?igshid=1q8nzx5q0cwr8
https://www.instagram.com/p/B89gh_mBFUi/?igshid=1pflczvri36va
By Armin Hofmann, Stadt Theater Basel, Switzerland
36 x 50 in (91 x 127 cm)
https://www.instagram.com/p/B89gh_mBFUi/?igshid=1pflczvri36va
https://www.instagram.com/p/B87JpxhhoFM/?igshid=rk2zgvwnzdgk
By Armin Hofmann, Kunsterziehung in USA,
Gewerbemuseum Basel,
1.Sept.-7.Okt. Eintritt frei 1961
https://www.instagram.com/p/B87JpxhhoFM/?igshid=rk2zgvwnzdgk
https://www.instagram.com/p/B83S1GNBR5b/?igshid=17apg6mjsggw9
Poster from “The Big Book” series designed by Linda Powell, Barb Loveland and Steve Fryhkolm, 1981. From the Herman Miller archives
https://www.instagram.com/p/B83S1GNBR5b/?igshid=17apg6mjsggw9