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recordingacademy by @recordingacademy 19857 days ago via Instagram

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@dixie_chicks played by their own rules. No one⏤not the establishment, not a #producer, not a #politician⏤was going to strip them of the right to say (and sing) exactly what they wanted. Years before a political divide would rend their standing was bonafide #country superstars, they were making the kind of boundary-pushing country music that not only honored its roots but extended well across the aisle to pop.Their landmark 1999 studio album, 'Fly,' their second major-label release, they displayed tremendous fearlessness and heart while maintaining a knack for melding bluegrass, blues, plaintive folk, honky tonk and outlaw. With today marking the 20th anniversary of the GRAMMY-wining album, we spoke to a slew of songwriters, including Silver, Annie Roboff and Troy Johnson, among others, on writing some of the most enduring classics of our time—view our story.As August comes to a close and school is back in session, it's time to declare the song of the #Summer 🔆🎼 You've only get 1⃣ choice, tag the artist and song name below 👇👇👇Next Tuesday @madisonbeer performs @Corinnebaileyrae's GRAMMY-nominated song "Put Your Records On" as part of our #ReImagined series!The video premieres exclusively on our Youtube channel September 3rd at 10 a.m. PST.@COASTCITY’s "Nadie es Santo" is based on a true story. The lyrics speak to crossed lovers caught up in the burning passionate of a conflicting relationship where no one is perfect. View our story to watch # the #PuertoRico duo deliver a soulful one-two punch with their performace of "Nadie Es Santo" in our latest episode of #PressPlay. #SaidaDahir has never gone back to #Somalia, her native country, which sits on the east side of #Africa. But she knows exactly why it is endearingly called the "Nation of Poets." Through spoken-word poetry, she examined her experiences growing up #Muslim, #female and #black in a predominantly white community in the U.S. One spoken-word performance even went viral, when Dahir spoke at the 2018 March Of Our Lives event in Salt Lake City. Those experiences make up her powerfully emotive spoken-word debut, 'The Walking Stereotype.' The album is a way to bring her message of #selflove to young #women who look just like her. View our story to learn more about her spoken-word debut, what her black-Muslim identity means to her, BTS and other #music she listens to, and more.GRAMMY-nominated producers @mike_n_keys might be on top of the game, but they haven't forgotten where they came from. Boasting credits with everyone from #NipseyHussle to @BJTheChicagoKid, #SnoopDogg to Faith Evans (@therealfaithevans), the duo, formerly known as The Futureistiks have built a name for themselves in hip-hop and beyond.Swipe ↔️ to learn why the duo felt they had something to say with their music and that they belonged at the table with the great producers and artists of their time.How many times have you been excited to check out a live show, but the performer is barely visible from your spot at the back of the crowd? Enter @meow__wolf, an experimental, experiential art collective making headlines for their trippy avant-garde-art-meets-funhouse-meets-kids-museum space in Santa Fe, #NewMexicoIn 2016, Meow Wolf opened this ultra-exploratory venue featuring art you can touch from rotating collabs with multi-media artists, the House of Eternal Return. It is their first permanent space, thanks to funding from the one and only from George R.R. Martin, the creator of #GameofThrones. View our story to see how the growing crew has launched the #TaosVortex music festival, incorporating their #love for interactive art and community spaces with their eclectic taste in #music.🎶 Havana, ooh na-na (ay)Half of my heart is in Havana, ooh-na-na (ay, ay)He took me back to East Atlanta, na-na-naOh, but my heart is in Havana (ay) 🎶 ( #LyricFind)Swipe ↔️ to relive @camila_cabello, @jbalvin, @ricky_martin, @thuggerthugger1, and @arturo_sandoval_arocha's performance of the GRAMMY-nominated song "Havana" at the 61st #GRAMMYs!"Typically, the way we would do them is we would book eight-hour sessions, whereas rock bands — they would block out the studio and just have it set up for months and months. But black records, we'd have to come in and leave, and come in and leave, and then come back and leave, and come back. So I did David Bowie the same way 'cause that's the only way I knew how to do records — like black records." - @nilerodgers , GRAMMY-winning producer and #PandEWing member gives insight on producing David Bowie's album 'Let's Dance.'Weekends are for new music! Who's on your #playlist this weekend?In many ways, 'forevher' represents a #victory lap for @Shura, who, even as recently as a few years ago, wouldn't have felt comfortable using #samesex pronouns in her songs. But the "her" in "forevher" is quite purposeful, as is its Rodin-inspired blue imagery of two #women embracing. "I remember when I put out 'Nothing's Real'... In the pop sphere there really wasn't a #queer woman that I could think of, other than people who had also already been around for a while," Shura tells the #RecordingAcademy. "So, @TeganandSara, maybe you have @HayleyKiyoko as well. But now we have @gakkingprincess, we have lots of non-binary artists. The indie-pop world, it's just so much queerer than it was when I first put out a record. I don't feel like the only gay in the village anymore." 📲 View our story to read how @Shura further delve into the story behind her latest effort—which is co-produced with Joel Pott and features collaborations with @JagwarMa's Jona Ma, @Whitneyband's Will Miller and more—and why this feels like her "first record as an adult woman."In August of '69, hundreds of thousands of people took over the small town of Bethel, #NY to hear the sounds and inspirational words from their favorite artists, including #JimiHendrix, Sly and the Family Stone, #JanisJoplin, and the #GratefulDead. Longtime music journalist, then an 18-year-old music fan, @mikegreenblatt was there. In his brand-new book, ‘ #Woodstock 50th Anniversary: Back to Yasgur's Farm,’ out in honor of the fest's 50th anniversary, Greenblatt features his own firsthand account, as well as a collection of submitted stories from both artists and attendees to recreate the experience that transpired a half-century ago—one that original promoter Michael Lang hasn't been able to truly replicate since. View our story to learn more about what it was really like to be at Woodstock and how we can apply the fest's activist mindset today.
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